MarkusWandel 15 minutes ago

A bit snobbish isn't it? No computer singing "Daisy Daisy". No Doctor Who theme. No Wendy Carlos. No Jean Michel Jarre, just to name a few.

eimrine 2 hours ago

This collection was an opener in my interest to really old electronic sound, it is called musique concrete. There are some of it on torrents, Pauline Oliveros and others are common guests in my playlist now.

gizajob 5 hours ago

A list more notable for its glaring omissions than what it includes.

  • hecanjog 5 hours ago

    > my college is a kind of a kind of a center of the most tradicional, western avant-gard electronic music, so certainly I agree that it leaves a lot of outside

    Let's list some of the outside.

    Maryanne Amacher, Pauline Oliveros, Éliane Radigue, Clarence Barlow, Bebe and Louis Barron... I'm brain-farting so many, keep going!

    • derbOac 29 minutes ago

      Delia Derbyshire

      Laurie Spiegel

      It's a bit fuzzy in where the boundaries are for the category represented by the list.

    • helpfulContrib 43 minutes ago

      >Bebe

      Awesome shout-out.

      Missing: Cabaret Voltaire, Art of Noise, Yes ..

amiga386 4 hours ago

I'd not heard of UbuWeb before, but it sounds likr an interesting project for curating a cross-media avant-garde art collection (although it has now finished?)

"Electronic Music" is a bit of a misnomer. I think most people would think of Electronic Music as genres like rave, acid, techno, house, trance, jungle, drum and bass, dubstep, and so on. For that, you want Ishkur's Guide to Electronic Music (https://music.ishkur.com/) and its branching history for how all these genres influenced and evolved from eaxh other

But this collection is just the avant-garde parts - the roots of Ishkur's tree. It's the musique concrete and theremins and radiophonic workshop type music. Those early genres only get a brief look in Ishkur, but here they are in detail.

  • TheOtherHobbes an hour ago

    This is what electronic music was before it became commercialised and mainstream as "music with synthesizers."

    Most of it is pre-synth, with early experiments with tape, and sometimes analog synthesis and computer DSP.

    It's ended up in a strange space culturally - lurking in modern music's attic like an ageing mad uncle whom everyone agrees was a genius, but hardly anyone still listens to. (Outside of academia, which is its own world.)